With the waves (Always)

I’ve had a track on my Wikiloops watchlist since weeks, again from Shi and Ray. I absolutely love this one, so I took my time before finally taking out my bass today. And together with my addition, it sounds like this:

This track is embedded with the friendly permission by the creatives on wikiloops.com.

List of musicians (so far):

Thanks for listening.

Update from August 14th:

An awesome update from Pewi on this song! Listen:

This track is embedded with the friendly permission by the creatives on wikiloops.com.

So the new list of musicians is as follows:

Thanks Peter, this is really really great! Love it!

Second update from August 14th:

Another great add and remix from David:

This track is embedded with the friendly permission by the creatives on wikiloops.com.

List of musicians in this case was:

So cool – thanks David! Just chatting with some of the musicians in the Wikiloops’ ‘Shoutbox’…

Thanks for listening!

Feeling honoured

I’m included in this collage of photos (taken out of videos which we’ve made ourselves):

Wikiloops Videocollab 2018, participants

You can hear all the songs and watch all those videos in this playlist on the Wikiloops Youtube channel.

Thanks to Richard, founder of Wikiloops who has cut all these together, and thanks also to all participants. It was great to be a part of all of this fun jamming, and I hope to see some of you soon in real life.

When the wind touches the wood in Vlissingen album by Navota

I’m included in Navota’s album “When the wind touches the wood in Vlissingen” on Wikiloops, with her remix “Fun and sun”:

You can listen to her album with the link above, or you can listen to just that one track here:

This track is embedded with the friendly permission by the creatives on wikiloops.com.

List of musicians on this track was:

Thanks go out to Navota for including me on her fine album. And thanks to you for reading, and for listening.

Greater Heights album by OliVBee

I’m included in OliVBee’s album “Greater Heights” on Wikiloops, with his remix of my debut track from March 10th of this year:

And I feel honoured to be included into that collection of very fine music, and musicians – wow merci, Olivier!

It’s also amazing to see a video you’re in, plus your own newest album featured on the same page, like here:

Greater heights indeed. What a feeling if one of your tracks makes it onto another one’s album. Wow.

Still have to listen to Oliv’s album, never heard some of the tracks before, but I’m very much looking forward to hearing these. He’s a very fine musician, so go and listen for yourself if you like.

Thanks for reading.

Jammin’ with the Cool Cats

Oh, and in case you haven’t noticed it in the page’s widgets on the right yet: this morning I also published my next album with collaborations with the real good musicians on Wikiloops. Looks like this, a bit bigger than on the right:

Jammin-with-the-cool-cats-CD-cover-front

Click here or on the small album in the widgets to go and have a listen.

And thanks for listening.

The risk

Devin’s take onto Arno’s original “Under the wind of the cold night” template, on which Thierry and me had played before as “Ton parfum“:

This track is embedded with the friendly permission by the creatives on wikiloops.com.

I decided that my bass from “Ton parfum” still fitted nicely into this one, so I simply added it again. That makes the list of musicians for this one as:

And since some people had commented onto “Ton parfum” because of my bass tone, here’s some short technical info in case you want to get a nice, mellow, and full tone like that. The technique I used for this is called “serial compression”, and what it means is that you simply add two compressors in a row, and play around with their settings. In my case, with the Calf compressor, it looked like this:

You see that both have a ratio of about 1:4 which is good for bass (tho normally I use less, like 1:3 or so). And while the first one does the heavy lifting with that additional +6dB boost, the second one still smoothes out things a bit. It’s not a technique you could use on every track (normally I use just one compressor with a 1:3 ratio or thereabouts), but here it fitted quite nicely.

On the Ardour channel strip on the left, you see that both instances of the Calf compressor are used pre fader. There’s also the GxSVT amp/cabinet simulation plugin from the Guitarix project, but that one is turned off here. Plus there’s a Calf limiter post fader, set to cut everything at -0.5dB just in case.

And that’s pretty much all there is to say about the tone. My Squier VM Precision Fretless Bass with its stock roundwound Fender strings was directly plugged into the Focusrite 6i6 2nd gen interface, and everything else was free software (Debian GNU/Linux with additional KXStudio repositories, Ardour, Calf Plugins). A cheap but effective setup as you can hear.

Thanks for listening, and for reading.

Update, from next morning (at least, morning here in Europe):

Perfect add from Mark – I suggested using some brushes, and he delivered like a pro:

This track is embedded with the friendly permission by the creatives on wikiloops.com.

That makes the new list of musicians:

Thanks everyone for making this so wonderful!

Update from Sunday evening (CEST):

On top of Mark’s brushed drumkit, Tof from France added his beautiful guitar. Listen:

This track is embedded with the friendly permission by the creatives on wikiloops.com.

List of musicians:

Thanks for listening.