I had uploaded my bass to the track at about the same time as Bothen did with his drums, so I offered to mix them together – and that gave an interesting 3/4 from me, with a 4/4 played over it by him (Arno’s template had this polyrhythm feeling anyway).
I also made a video of this track in my DAW, together with the settings for my bass, so in case you’re interested, it’s here:
My own version got some remixes by others as well, so here’s the version from my own album:
As always, thanks for reading, viewing, and/or listening 🙂 And thanks again to Bothen for including me on your wonderful album – I feel very honoured! 🙂
First of course the original version from 1947, by Doris Day:
You like good bass players? Here’s a killer version, and my best guess for the bassist (the album’s Wikipedia page lists three) would be Christian McBride¹. But that piano and Diana Krall’s contralto are very nice as well:
Remember Alba Armengou? You probably should. And that band is as fantastic as always:
Lovely song, three killer performances, hm? As always, thanks for reading.
¹Edit, from November 17th: someone who actually has this album corrected my guess about the bass player – it’s not Christian McBride in this one, but John Clayton. Wow. I knew he was great, but still – hats off, sir!
As usual, I’m late to the party – the following video is from August 2011, so more than 8 years ago. But you’ll hear one of my favourite pianists, and also one of my favourite bass players. Watch, and listen if you have about half an hour:
This was in Poland, the home of Leszek (whom I showed already with Fresco & Danielsson). And yes, Marcus can also play fretless – he was Miles’ bass player after all! Plus imagine my surprise when they played Wayne Shorter’s ‘Footprints’, a tune which I also played when I was slightly above 20 or so (together with Sven Thomsen and Christian Hecker).
And Marcus walks these (foot)prints. And yes, he slaps them, too.
I played on that awesome track by moonchild and by WhiteDrum55, and I also got a remix from FrankMil already, who also renamed the title to ‘Fading in 2 nothing’. Sounds like this:
While I read (and wrote about) some bad news for users of music software on Macs lately, here are some much better news for users of Debian 10 “Buster” (like me for instance), or Ubuntu 18.04+ (like Zuleikha for instance).
I’ll have to work now, and I still have a track or three in my DAW to play on, but after that I’ll try the (falkTX’s) new repo, and report about it all. Stay tuned, as they say.
Here is some stuff that I found useful and/or interesting and/or inspiring. First, when Zuleikha came back from her recent trip with her class, she talked about having seen a large format camera – so I thought I’d show her how to use these, and what results to expect:
Steve scans his 8×10 negatives with an Epson flatbed scanner set to 2000dpi – which means that he’s getting an image of about 320 Megapixels. Almost overkill even for good computers, and enlargements of 60 inches on the long side shouldn’t be a problem either.
The interesting thing about Steve is that he’s also using smaller formats (like his Bronica 6×6 film camera) and even Micro Four Thirds – with almost identical results for his purposes. See here:
Yes, he puts a bit of “grain” into the images, and that makes them almost look like film. It’s not so much the camera, it’s how to use one.
Oh, and I’ve seen – and heard – iamNEETA unplugged in a Malaysian TV3 show. And yes, the girl can really sing (and the boys play). Listen to ‘Ilusi’ again, and also to ‘Sakit’ – both from the ‘Sweet Dreams’ series:
Awesome, aren’t they? No wonder that their music is used for the movies… and I wish them luck for their future careers, just like I wish for the actors and actresses of ‘Sweet Dreams’ as well.
As a last tip for now, one of our own. Martin, a friend from Wikiloops offers a new Youtube channel with tips on how to play the drums. And he also does an awesome job. Here’s his introduction, look at his channel for further lessons:
Always a pleasure and an honour to play with Martin. Enjoy.
And as always, thanks for reading / watching / listening.