Here’s a photo of Alexander Dawo with his nice 5-string double bass by Pöllmann. If I remember it correctly, the instrument is from around 1960, so almost my age. And although it’s a cheaper one of the Pöllmann instruments, it’s still 5-digit (almost double of our used Toyota). Alex and his instrument sound very good…
He brought some copies of a CD on which he played, so I bought one from him. It’s this one.
As I wrote during the last days already, I’ve had the pleasure and the honour to be invited to document a three day rehearsal plus one day of concert of different bands and classes of Zuleikha’s high school, so from last Thursday to Sunday I went to Landesmusikakademie Hessen with them.
I took photos and videos using three cameras plus a portable 4 track audio recorder, and collected some 100GB of data – all of which now has to be edited, cut, and so on. And starting from today these photos and videos are to be presented to the participants and of course to their parents and families.
Here’s a first one – a song by German composer / arranger /conductor / band leader Kurt Klose, called “Adios Axelito”:
My videos and photos aren’t perfect – but what is? I hope you’ll see that we all have had some fun during last week. And now we have something nice to remember 🙂
You can hear these artists again today at their (former, for some) school. Entrance is free.
From Thursday to Sunday I was in Schlitz at the LMAH (Landesmusikakademie Hessen), together with Zuleikha and her school plus some alumni and of course, teachers. The main building from its back side (the river side) looks like this:
I took this photo in the early Friday morning with my new zoom lens on Mitchie’s camera, and I used 3 cameras plus my portable Zoom H5 recorder to take photos and videos of the practice days and concert. All in all I produced roundabout 100GB of data which now has to be cut, edited, equalized, compressed, normalized, and presented in a halfway decent or at least acceptable way – so still lots of work to do there.
The school will use that material, and I’ll ask what I can use for my own pages. I think I can show you some more when these files are ready. The photo above is straight out of Mitchie’s Olympus E-M5 Mark 2 camera. The musicians were top class, and we all had lots of fun.
I first saw this mentioned in a blog post and thought that it might be a nice addition, much smaller than the 40-150mm lenses we have from the Four Thirds system and which need an adapter, a bit sharper perhaps, and with a faster autofocus. Even image stabilized though we don’t need that on our Olympus cameras which have the stabilization built right into their bodies already. So I had put it onto my wishlist at some big store, not further thinking about it – and what a nice surprise when all of a sudden I had it!
It comes with a lens hood which is reversed on the lens in the picture above (take that, Olympus!), and it is indeed nice & sharp at all of its focal lengths which compare to a (much bigger) 70-200mm lens on a 24x36mm film camera. I used it on last week’s photo of Tuna the cat already:
But this photo is heavily processed with its “in-body” (added by OV3) pin hole art filter. Still, this somehow also replaces my 75mm/1.8 which was stolen in Paris last year.
Today I used it at the longer end and somewhere in the middle (at 64mm) on some flowers on our veranda:
So with its variable aperture of f/4 to f/5.6 which closes down pretty fast when you zoom in it’s a pretty little lens for outdoors – but I also tried it indoors at 35mm already with good results:
Cool. This might come handy for the upcoming documentation project of Zuleikha’s school event, and also for the upcoming summer holidays. How great to have this; thanks a lot!
I took a photo of Tuna again, using two of my studio strobes and with the PanaLeica 25mm lens on my camera set to f/4.
Then, after “developing” the raw .orf file using OV3 on a simulated Win7 box, I also saved a copy in black & white, using a simulated orange filter (you can do that either in-camera or with Olympus Viewer 3 in post production, the resulting image will be identical).
I also took the colour converted .tif file and loaded it into Silver Efex, trying their 019 “Fine Arts” preset, and also Ilford HP 5 Plus and Kodak Tri-X 400TX film simulations.
And I “developed” all resulting .tif (or in case of SFX, .TIFF) files with Raw Therapee on Linux, and added some meta information. Then I compared the results on my screen for a while.
The “in-camera” (through OV3) black & white conversion was the smoothest of them all, the “Fine Arts” preset of Silver Efex had the most information and almost some kind of a slight HDR look, and the film simulations were very close to each other in this case. In the end, I opted for the most contrasty one of them all which also had some fine simulated grain, which was Tri-X.
As always, I midtoned it to get those grey tones a bit more brownish, and I also cropped it to a 3:2 format like Kleinbildfilm used to have – I thought that also fitted the Leica branded lens on my camera.
Here’s the result:
See Flickr for full resolution if you’re interested in that.
If you are reading this blog since a while then you probably know that I’m hosting almost all of my photos on Flickr. I have a paid account with them of the old sort, which gives me unlimited storage (an offer which doesn’t exist anymore since a few years).
Flickr was bought by Smugmug, and they’re finally moving all content from Yahoo’s servers and infrastructure to Smugmug’s hosting provider which is Amazon AWS. My pictures will move into the cloud…
This all will happen on Thursday 12am GMT which means 1400 CEST, and it will last for maybe 12 hours. Here’s what’s written in Flickr’s public announcement:
On May 22, 2019, Flickr will be down for planned maintenance for about 12 hours starting at 5pm PDT (that’s 8pm EDT or 12am GMT on May 23).
This will of course lead to the fact that you won’t see most of my photos on this page for about 12 hours, and so I’ll have to apologise for this.