Two versions of the same photo

I don’t know if it was Dick (Richard) or his wife Diana who took this one of me end of August last year, but I do like it (tho the nice Jazz Bass isn’t mine):

I also made a b&w conversion of it, with a bit of a white border:

As always, thanks for viewing.

What a nice story from Myla Goldberg

I loved to read her short essay “On being photographed by Richard Avedon” in the New Yorker (which is an awesome magazine anyway).

Having seen other high profile photographers doing their jobs via Youtube (like for instance David Bailey photographing beautiful models (in a BBC documentary about him), or Bettina Rheims taking some of her famous nude photos of other females in her studio in Paris), just reading about the experience from the side of the person being photographed is something different, but I think every portrait photographer should read it. Ok, you and me, we’re not Richard Avedon, but it’s still nice to have these stories of and about real artists doing their work, and how their subjects may have felt about it. Or that Audrey Hepburn might have had similar thoughts and feelings like Myla.

For a photographer, the most difficult part is to crack them up, figuratively speaking of course, to look behind the vain and the fear and the masks, and to find a real person. And the only way to achieve something like this is to be professional, aloof but not unfriendly, and to have enough patience and empathy and – of most importance – interest in the person you’re photographing. And it’s real hard to not let it be just a vanity fair, and at the same time, having your subject accept or even like the photograph – as you can also learn from Myla’s article.

So very interesting that I just had to link to it from here – and thanks to Myla for sharing her story with “Dick”.

And as always, thanks also for reading my thoughts.

Two photos of me

Here’s one from ca. 1976:

Wolfgang and a band, ca. 1976 Cologne (scan from a bad postcard-sized print)

And here’s one from ca. 42 years later:

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Wolfgang, 2018 Steinfeld

As always, thanks for looking.

Caught in the act (of photographing)

Yesterday I took a picture in the atrium. I had set the camera to square format, and later at home I used both Olympus Viewer 3 (to make a slightly desaturated .tif), and Nik Color Efex Pro to simulate Fuji Astia slide film. I called the result “Nature wins”, and it looks like this:

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What I hadn’t noticed until I took that picture was that my colleague Arno caught me photographing, using his new Huawei P20 Pro phone (with a couple of Leica branded lenses, same as I used on my Olympus camera). So here am I taking the above picture, from Arno’s phone:

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He took some more photos. Interesting what you can do with a phone these days…

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rpt

So much for our lunch break. Thanks for viewing.

Got my photo taken today

Today I took photos of four colleagues at work. I offered to make photos “on white”, since you can easily use them everywhere in the web, in presentations, even in the company’s countless online services. And one of the colleagues who helped me, Gunther, also took my photo:

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Wolfgang, Frankfurt 2018

Thanks for viewing.

Some recent photographs

Here are some photos we took since Friday – half of which were taken with my camera, the other half with Mitchie’s:

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Tulips, Moerfelden-Walldorf 2018

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Tuna diva, Moerfelden-Walldorf 2018

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Wolfgang, Moerfelden-Walldorf 2018 – photographer: Mitchie

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Dying flowers and a bass guitar, Moerfelden-Walldorf 2018

Thanks for viewing.

Bravo, Anastasia!

Look at this article in the British Journal of Photography, which reports about young photographer Anastasia Taylor-Lind doing some portraits of dignity in the crimes committed against the Rohingya. Thanks also to Human Rights Watch, and Peter Bouckaert for publishing reports and photos like these.

Other than the pope, we can report about this. We can name their names, and accuse those responsible for it. So we have to. Again, thanks for your good work, Anastasia, BJP, HRW, and others.