Today I decided to make an album for my colleagues:
… it will affect *us* (my colleagues & me). The news in German:
And what fits to both the headline, and to my feelings about it is Shi‘s actual pick for her New Year’s song which she uploaded on the 3rd of February 2013 (her date of entry at Wikiloops), called “This time”:
What a wonderful song of my three friends from the ‘loops. I had this one on my first album on Wikiloops, without own contributions yet – and I’ve added “The cool cats from the loops – Hit singles” to the widgets area on the right of this page now so that you can find and download it. As always, thanks for reading, and for listening.
At LinuxMusicians, we have some really good producers (like for instance user ‘singforme’ and/or ‘bluebell’). And in this thread on LM, one of them pointed me to an article written by Jason Evangelho for Forbes, here.
That article is about UbuntuStudio, which Zuleikha was using until recently (she’s now running the KXStudio stuff on a ‘normal’ Ubuntu on what used to be Mitchie’s Dell notebook, now hers). The article also covers the Jack Audio Connection Kit, and Ubuntu Studio Controls, which together bring a bit of nice automation into the game, taking out some complex steps of setting up a productive audio environment on a PC. As Jason concludes in his article:
I tried Ubuntu Studio 18.04 last year in a short-lived attempt to see if it could replace my macOS + Logic Pro workflow (my last hurdle to using Linux full time), and I honestly walked away a bit disappointed. But 19.04 is shaping up to worthy of a second chance. You’ll have my thoughts when the final version releases this Spring.
But so far this is interesting for musicians and/or creative people only (which covers some of my own family, but not many other people). So if you’re in this ‘other people’ group, stay with me just a little bit longer, because the other interesting finding in his article on Forbes were links to Jason’s own site Linux For Everyone, and to his music on Soundcloud.
And while Jason’s music might be interesting to you or not, I’ve read just one article on his site called “Ditch Dropbox: Create A Personal Home Backup Server With Raspberry Pi 3” which made me write this link collection, and recommending it to colleagues and friends (who aren’t musicians or other creatives) as well.
What Jason is describing there is simply how to set up a small and low cost home server based on Linux which everyone could use, together with some useful stuff like apps for your desktop, and your Android or iOS device to make use of it all – without having to touch a command line even once. He shows how to sync your PC and your phone with that small server automatically using NextCloud, so you have basically replaced Dropbox or any other commercial service provider (you have to read some additional stuff on how to open ports on your router, or to connect to your home from outside via DynDNS-like services if you haven’t done so, but that’s stuff for another article).
So at this point, Jason concludes:
Wait A Minute….
Did we just setup a Linux-based file server without using the command line once? Yes. Yes we did.
Thanks for reading.
I know I have some colleagues who are interested in just this. And I don’t know about you, but I am interested in something like this myself. And besides, I’ll go on reading Jason’s other stuff as well, so I have set up an RSS-bookmark to his site, so that I can see new headlines when he comes up with new articles. So, in a nutshell, I consider this recommended reading for everyone who’s an admin of their own home network. You. Me. Everyone.
P.S.: Jason’s articles on Forbes are good reads as well. I’ve short-scanned only the last 2 months or so, and found these three very interesting ones:
Like I said/wrote: interesting (tho he still is new to the Linux desktop experience, but this might apply to you as well, right?). As always, thanks for your interest, and for reading.
Yesterday I took a picture in the atrium. I had set the camera to square format, and later at home I used both Olympus Viewer 3 (to make a slightly desaturated .tif), and Nik Color Efex Pro to simulate Fuji Astia slide film. I called the result “Nature wins”, and it looks like this:
What I hadn’t noticed until I took that picture was that my colleague Arno caught me photographing, using his new Huawei P20 Pro phone (with a couple of Leica branded lenses, same as I used on my Olympus camera). So here am I taking the above picture, from Arno’s phone:
He took some more photos. Interesting what you can do with a phone these days…
So much for our lunch break. Thanks for viewing.
I had that DM Paradies 200 colour negative film which was in our bookshelf, and expired since over three and a half years. So I loaded it into my camera (see two posts below), and used it. And today I’ve got it back. Here are three photos like the lab scanned them off the film, with grain and not very high-res. I still like them:
My colleague Arno isn’t in the office at the moment. So today I put some of the prints from that film onto his desk for when he returns. I documented that with the digital E-PL5 and its kit zoom at 14mm:
Thanks for viewing.
Hi there, and thanks for visiting. In case you celebrate it, we (I write in the plural on behalf of our small family here) wish you merry Christmas, nice holidays, a good and happy new year 2018, health, wealth, and all the other stuff, or, using Spock’s words: live long and prosper!
I was a bit quiet on this blog lately, and that’s mostly because I discovered some new and really nice video creators, or vloggers as some call these. And I want to show you some in case you’re also interested. And since it’s hard to decide on which of their videos to show you as an introduction, I’ll simply show you the first ones I saw of them.
The first one was Eduardo, a writer and movie dramaturg from Chile, who’s now living in England together with his girlfriend Fran. Eduardo loves film and street photography (and is pretty good with that), tho the first I saw from him was using a digital back on his Hasselblad medium format camera. It’s worth a look, and his video, storytelling, and photos are beautiful:
After that, I saw a video of a young woman discovering film photography using the exact same camera I had when I was much younger – a Canon A-1 (which is a thing of beauty, but eats batteries for breakfast). Turned out that Dana’s husband Lou is a really good filmmaker (using a Canon 5D Mk3), and together they also are really good story tellers – and they even know Eduardo and Fran from above. But here’s Dana doing a really good job with that Canon film camera:
My latest “discovery” was actually a recommendation from Google’s Youtube, so I watched Sean Tucker talking about his street photography philosophy (in Rome with the Fujifilm XT-20). He’s a pro photographer sharing some really cool and useful tips without much self presentation as I would say (and comparing him with others who do mainly that), so as the other two above, his channel is really recommended. So here’s that first video I saw from him:
So, sometimes Google’s recommendations actually do work. It’s even a bit frightening to think about how good they are matching my taste of content with their recommendations at times – they must have made a real good profile for/of me already.
“Anybody getting something outrageously fun and photographic for Christmas?” – that was a question from Kirk Tuck on his blog, and I answered that no, I didn’t order the latest Leica M-10 or Hasselblad or Fujifilm medium format cameras, but ordered a book instead. Really looking forward to that one.
Which brings me back in a circle to my own photography, and doings, and plans. The last thing I’ve tried with my photos was another “look” for black & white, kind of more traditional or “old school” (which some might argue is black & white anyway). So my approach to it was to take the photos in raw as usual, then converting them to colour .tif files with Olympus Viewer as usual, and then use Silver Efex Pro2 for black & white conversion with a “custom” preset I’ve made myself: take their “019 Fine Arts” preset, then add a white border and some coffee toning, and 95% of the post production work is done. What’s still missing is a bit of curves manipulation, and the adding of metadata like a title in Exif and such, which I do with Rawtherapee. As usual. And here are three examples of how this looks:
Tuna the cat, December 2017 (this was taken using the E-PL5 “Pen” camera with its kit zoom at 17mm, at ISO 6400)
Andre, December 2017 (this was taken using my Yongnuo compact flash at 1/4 power bounced over the ceiling from Arno’s desk (opposite of Andre’s), with the 45mm lens at f/2.2)
And finally, a “selfie”, triggered with my (Mitchie’s old) Google Nexus 5 smartphone:
Selfie, black and white, toned, with border
The next two were actually the last photos I took before Christmas, both of Tuna the cat. Simply cannot resist sometimes when I see something like it:
About future plans – here’s some music first, from user “nominal6” on Soundcloud again (CC, so I’m allowed to play it here). You can listen to it while reading the rest of my article:
I plan to do some more collaborations with this user nominal6, who calls himself ‘jonetsu’ on the Linux Musicians board. First, I like that he does everything with free tools, and I also like that everything is CC’ed like my own content – so I could for instance take his music for videos I’d publish on Youtube or Vimeo or wherever.
I also looked at some older photos, like Kirk Tuck does it sometimes. So here are some from 2011 or newer:
Sarah, April 2011, at Haenson’s
Haenson at work in his studio, January 2014
Sadly Hans has retired from his studio photography already, and sold it all – it always was a great pleasure working with him, even when at that time my digital photography was in its first baby steps. Here’s another photo (of a nude girl) I took in his studios. She was a former Czech “Playmate” from that famous magazine. I used my new toned black & white recipe on her here for that “vintage” look:
Zuzie, January 2014, at Haenson’s
And one more from 2011, still with my Olympus E-520 DSLR and the 50mm/2 macro lens, and cropped to a more cinematic 21:9 aspect ratio here:
Starting January, I’ll also rejoin the IBM Fotoklub. Here’s one I took while I was a member of that club, but with my own strobe equipment already. The model calls herself “An Ne”, and I forgot who made the fancy head piece (or who was the MUA (= makeup artist):
The show must go on
January 2014, Frankfurt
Shows that with good lighting, you don’t need more than an Olympus E-PL5 and the 45mm/1.8 lens to take a nice picture, hm?
Two beauties, January 2015, Mainz
I like this one of Rhia and Meike, taken in Mainz on a cold January day with that exact same E-PL5 camera and lens. Or this one, which is one of my all-time favourites:
Mélanie Gomez, February 2015
Mélanie is a real good photographer herself, and I’d love to work with her (and some others) again. So much for my wishes for 2018, for myself.
A portrait of me, Christmas 2017
Photographer: Hanna Zuleikha Lonien (who will turn 13 in 2 days from now)
Lighting: Simock Mythos E300 into 20″ white beauty dish, socked as key light
Simock Mythos E300 with standard reflector, for background
For you (for whomever is still reading), thanks, and all the best for 2018!
Maybe I was a bit sloppy. Or maybe I just pressed the shutter too fast and on too many objects. Out of the three Kodak black & white films which I had in my camera lately, I liked exactly 1 photo – a portrait of my colleague Arno, like so often:
I quickly (and again, sloppily) “scanned” the negative using my OM-D E-M10 with the old Four Thirds ZD 50mm/2 macro lens against a white background illuminated by one of my studio strobes, using a polaroid slide copier holder in front of that macro lens. So what you see here is a digitized version (ca. 13.5MP) of the 24x36mm negative turned positive.
This was also one of the first photos I made with my new old 135mm/2.8 lens, and it’s very nice and sharp even when used fully open like here.
Like always, thanks for viewing.
Here are two photos I made yesterday and today, and both are toned using the Lab curves in RawTherapee. Arno’s photo was converted to black and white using Nik Silver Efex Pro2 (with the 019 “Fine Art” preset), Tuna was more or less out of camera (and Olympus Viewer could do the same).
Oh, almost forgot: Tuna was lit with two of my studio strobes (both simply reflected over the walls), while I took Arno’s photo in natural daylight in the company.
Another difference: I photographed Tuna with the 25mm/1.4 Panasonic Leica DG Summilux lens at f/2.8, and Arno with the new, old, and manual OM Zuiko 135mm/2.8, also at f/2.8.
As always, full resolution photos are on Flickr – you get there if you click on the pictures here.
Also as always, thanks for viewing.
Here are a few more photos which I made with my camera set to black & white:
Tuna the cat, November 2017 (Panasonic Leica DG Summilux 25mm/1.4 fully open at f/1.4)
Tuna the cat, November 2017 (Olympus OM G.Zuiko 50mm/1.4 fully open at f/1.4)
Tuna the cat, November 2017 (Olympus OM G.Zuiko 50mm/1.4 at f/2)
Arno, November 2017 (Olympus OM Zuiko 135mm/2.8 at f/4)
Thanks for viewing.