My second – and most probably last – Olympus camera died today

Two years ago, on November 11th, 2018 my first Olympus camera died. I wrote about that, and since my second (or “backup”) camera together with my best and most expensive lens (E-PL5 and M.Zuiko 75mm/1.8) got stolen in Paris short before that, I was without a camera for a while. To recap, here’s the last photo I took with my old 1st generation E-M10:

7e2_a211542-zuleikha-tuna-ooc
Zuleikha with Tuna the cat, 21st of October 2018, Mörfelden-Walldorf
the very last (and “out of camera”) picture taken with my Olympus OM-D E-M10 (Mk1) before it died

At least it was taken with another one of my favourite lenses, Mitchie’s wonderful Panasonic Lumix 20mm/1.7…

Today the weather was so nice, and I thought that I really should go out and catch some late October autumn colours as long as it lasts – even from my chair and through our veranda windows I could see green, yellow, and red leaves, so I decided to mount my Zuiko Macro 50mm/2 (from the old “Four Thirds” system) onto my E-M10 Mk2 and to take a walk with that combination. But when I tried to take a first picture of those exact leaves on our own veranda – my camera was dead. Same symptoms as the 1st gen camera had, I couldn’t “properly” turn it on (or off) anymore, and no battery or lens change could cure that – so again a system failure of the mainboard I suppose…

And the last picture taken with that camera was – the one of me with the upright bass, taken by Mitchie, which I had shown in my last blog article. Ok…

Now I still have that old and half mechanical SLR also from Olympus, the wonderful OM-2n – but for that I currently have only a black & white film laying around, so not exactly the right gear to take for autumn colours 😉 – and since I don’t have any other real camera, I was left with the iPhone which was given to me (and to all colleagues of mine) by our employers lately. Also a nice camera in that one, tho of course this isn’t a 100mm-comparable macro lens (100mm like on 24x36mm film). Still I wanted to walk, so I took this camera phone which doesn’t even belong to me…

… and here are some impressions from my walk, without further explanations:

https://www.flickr.com/photos/wjlonien/50528073867/
https://www.flickr.com/photos/wjlonien/50528074467/
https://www.flickr.com/photos/wjlonien/50527190863/

Or maybe I should write a few words? It was a really nice day as you probably can see, and the sun and the people were smiling, and I was smiling back, almost like in Shi’s wonderful “Le maloya d’une enfant”, so if you want you could listen to that while viewing the rest of these photos, because that was in my head as well during that walk:

https://www.wikiloops.com/backingtrack-jam-138078.php

Now on with the iPhone photos:

https://www.flickr.com/photos/wjlonien/50528075817/
https://www.flickr.com/photos/wjlonien/50527192168/
https://www.flickr.com/photos/wjlonien/50528076932/
https://www.flickr.com/photos/wjlonien/50527193353/
https://www.flickr.com/photos/wjlonien/50527193768/
https://www.flickr.com/photos/wjlonien/50528078147/
https://www.flickr.com/photos/wjlonien/50528078437/
https://www.flickr.com/photos/wjlonien/50527922121/
https://www.flickr.com/photos/wjlonien/50527923181/
https://www.flickr.com/photos/wjlonien/50528080782/

As you can see, I did try to take some close-up photos of some leaves, but what you also can see is that a mobile phone with a focal length which compares to 28mm on film will never be a match for a 100mm-comparable macro lens, it doesn’t even have a remote chance against that…

But still, iPhone photos aren’t that bad, so thinking about what to do now, hmmm… of course I could (and probably should) have that camera sent back to Olympus for a possible repair job again and see what happens. But would/should I buy another one? Good question…

There were times when I wanted to be a portrait photographer, and I wasn’t that bad really, learned everything about light, how to pose people, and so on – but there was one thing lacking in my person and in myself which you can see in some if not most of the photos I took of people: I was missing some proper communication skills.

What I want to say is that it’s not enough to just admire beauty when you see it, and then smile at a beautiful person – you have to get her or him really comfortable, especially in front of a camera to get their real self as the saying goes. You have to have them forget that there’s someone pointing a camera at them, and maybe thinking about how they will look, all that. So when I for instance took photos of Mitchie, they were ok, beautifully lit, well posed maybe – but when Zuleikha took photos of her mum, she always had the better ones. Portrait photography is interaction between two people, and just pointing your camera on beauty isn’t enough.

What else? Oh, landscapes, yes, everyone including me loves landscapes. Or even nightly shots of the starry sky, with or without telescopes and all that stuff, right?

Well I’ve tried that as well – but now I can’t walk that good and that far anymore because of my atherosclerosis, and I never could stand the cold for too long, so I never got that precise sky tracking motorised system for the telescope, and never walked the alps with my camera so far (and believe me, if you can’t properly walk anymore but used to love it, then you just dream about walking the Camino de Santiago or the Via Francigena or for Muslims, the Hajj (and on that latter, cameras aren’t even allowed)).

So for that I also don’t really need a camera anymore, at least nothing I couldn’t also do with a phone camera. Plus taking portraits is really kind of difficult since the outbreak of covid-19, isn’t it?

So sitting on a bench at a bus stop today, I had some other song in my mind, again from Shi, but I haven’t played on that one so far. The song is still wonderful like most of what she does, and its title is “Low tides”, and the lines I had in my head were:

“… nothing lasts forever
only time still marches on”

Hear it here if you want to know what was in my head, thinking about photography, art, and myself:

https://www.wikiloops.com/backingtrack-jam-179871.php

Today my very first Wikiloops album ever is the “Album of the day” – and for the cover photo of that one I also used my first E-M10 camera, and the cutest “model” I had around (that one was taken with daylight through the veranda door by the way):

That album doesn’t have any contributions of my own, which is why I never included it into the list of “My albums”. But it contains really cool collaborations of others whom I wanted to promote and to celebrate a bit with that album, so here is the link to what I called “The cool cats from the loops – Hit singles” – hope you enjoy it as much as their music impressed me.

So while I’m still thinking, I’m without a camera again for the moment.

As always, thanks to my musician friends and to Richard from Wikiloops for the music (which is an important lifeline for me, much more so than photography) – and thanks to you for reading, viewing, listening, and/or even commenting.

Have a nice rest of your Sunday.

A photo of Tuna, and one of me…

On Saturday I took a photo of Tuna, our cat who was on the heated floor in front of the TV set:

7e4_a182927-tuna
Tuna the cat on the heated floor, lit by a TV set,
Mörfelden-Walldorf 2020

I cropped that one into a 16:10 format.

And yesterday I’ve got my own photo taken, together with my upright bass and the bow:

https://www.flickr.com/photos/wjlonien/50512459893/
Wolfgang, Mörfelden-Walldorf 2020
photographer: Mitchie Suadi-Lonien

As always, thanks for viewing, and/or reading.

Free (Always)

I don’t have words to describe this one. So I just played a little…

https://www.wikiloops.com/backingtrack-jam-200491.php

As always, thanks to my friends for all the fun (an unforgettable one this time). And thanks to you for listening.

Getdown in the lockdown

Cool & funky template from sami, and he asked for bass & drums. Well I’m no drummer, but I wanted to try another microphone position on my upright recording anyway, so I started with that – and ended up using both the double and the fretless bass. And drums are still missing, so that – like the last one – isn’t ready yet:

https://www.wikiloops.com/backingtrack-jam-200381.php

Thanks to sami for all the fun, and thanks to you for listening (or even more if you also join us and play or sing or both) 🙂

Edit: oh, and about that microphone position: here it’s pointing to the bridge, and until now I’ve had it pointing to the lower fingerboard instead. The instrument is/was also much closer to the mic here, about 5 inches (normally 10). But while that sounded better on someone’s instrument on Youtube, I think for my bass I’ll go back to the old position – it’s easier to setup and play *and* it sounds better on my instrument…

Don & Wolfgang have the Blues

Sweet track from Don_T which he wrote in January just for me (I feel honoured, really). So finally here’s my bass on it, ready to be filled with drums, vocals, guitar soli etc.:

https://www.wikiloops.com/backingtrack-jam-200251.php

Thank you Don for all the fun, and thanks to you for listening to it 🙂

Selfie during work

We have another “customer service week”, and some IBMers asked us to take selfies, so here you go. From my iphone which was also provided by our employer:

https://www.flickr.com/photos/wjlonien/50435960503/
Selfie during work during customer service week, Mörfelden-Walldorf 2020

The original including exif data is on Flickr, so if you click on the photo, you’ll go there as always.

Also as always, thanks for viewing.

Unanswered questions

Wonderful contemplative track from FrankieJ, couldn’t resist to add a little low end to it:

https://www.wikiloops.com/backingtrack-jam-199973.php

Second of two recording takes in Reaper, mixed and finalised in Ardour.

As always, thanks to FrankieJ for all the fun, to the Wikiloops supporters who make this all possible, and to you for listening.

Ardour and Reaper

Since I got my audio interface and a studio condenser microphone to record my own voice for videos, I was using Ardour as my main program for recording on my Debian Linux machine. I have tried the Windows version as well, even the new 6.3 one lately, but in my opinion this free and open source tool runs best on an operating system like Debian which is also free and open source, and I think it’s natively developed on Linux as well.

With the audio interface I had gotten some free goodies like for instance the very nice XLN Audio Addictive Keys Studio Grand (what a name!) sampled Steinway grand piano – a 90$ value in itself. I had tried it, loved it, and also installed it on Linux where Windows VSTs need an additional layer to work. It does work, but of course it puts some load onto the machine that way, which is counter-productive in a near realtime usage like music. I’m no pianist, so for me the Salamander Grand, a Yamaha C5 nicely sampled by Alexander Holm was almost equally good. Plus it is under a Creative Commons license, and it runs natively as a soundfont on Linux.

Then I’ve got some more free plugins (and they keep coming if you buy an audio interface from Focusrite, thank you very much to that company!), but like most if not all freebies such as these – they exist for Windows, and for the Mac, and that’s it. So Windows, hm, never was doing much in there…

… I had tried Reaper since version 5 or even earlier, but since I never do much on Windows anyway, that trial version was just laying around mostly unused, and the 30 day trial period was way over, although I had only started it a couple of times. So when I learned about some really cool tricks and about the new version 6.x of Reaper, I decided to pay for it and to license it – it’s no free software like Ardour (which I also support nevertheless). And so I installed Reaper 6 both on Windows and also on Linux (which I also hadn’t done before). For my last two collaborations with other musicians from Wikiloops (see below), I’ve used both Reaper *and* Ardour.

There are many reasons to have them both – first Ardour, since it is open source, runs on Linux, Windows, and Macs, and because a download of a compiled version for Windows or Macintosh machines start at 1$ (or now 1€? Forgot…) – but if you’re fair, and can afford it, you can pay more of course. Ardour is wonderful.

But Reaper has a few things which really save you some time, or which can’t be done at all in Ardour. Take video as an example – yes, in Ardour you can have a video timeline in case you’re making some music for it, but in Reaper you can actually *edit* video. See one of Kenny Gioia’s videos (and he has lots which is another reason to use Reaper) about that:

This is REAPER 6 – Video Editing (13/15)

So you don’t really have to go and to use kdenlive or other programs for simple editing like this, which is cool. And that is just one of many things.

Adam Steel tells us a bit more (but his mentioning of Sonarworks on the monitoring only is what I’m also using in Ardour since I have it):

Why I Love Reaper with Adam Steel!

So no matter if its free or commercial plugins, or any of the tricks Reaper can do but which are difficult to impossible to realise on other DAWs (even ProTools), there’s a reason to try it. Some of my friends over at Wikiloops also use and love Reaper, so in case you can’t or you don’t want to spend hundreds of dollars or euros on programs like Cubase or ProTools, you should have a look at these two – Ardour, and Reaper. Best would be a combination of both of them.

As always, thanks for reading.

About strings…

This is the video I was *not* waiting for (well actually I was, but then decided that I needed strings, so I’ve bought some already):

PIRASTRO PERPETUAL Double Bass Strings Review (Plus: How do they compare to Spirocore? Hear both!)

Herv̩ compared the two sets of strings for double (or upright) basses I was most interested in Рthe relatively new (invented in 2019 I think) Pirastro Perpetual against the old market leader amongst steel strings, the Thomastik Spirocore Weich.

Both sound pretty good in my opinion. I bought the Thomastik, and have them on my instrument right now – you can hear them on the last two collaborations on Wikiloops, and they made my bass sound way better than it did with the nylonwound strings I had on it when I bought it. And I can also bow it now which is cool 🙂

So thanks again Hervé for that nice comparison, tho I had made up my mind even before you published that video.

See also on TalkBass.

â–¸Vapourisedâ—‚

What a nice ambient chill-out track from DanDiplo and from FrankieJ – couldn’t resist to add both my basses this time, and also with using two different DAWs (Reaper and Ardour):

https://www.wikiloops.com/backingtrack-jam-199437.php

Thanks to my friends for all the fun, and thanks to you for listening as always 🙂