Two photos with a manual lens

Today I mounted the first manual lens I bought for my DSLR onto the “Pen” camera. It’s an Olympus OM-System Zuiko Auto-S 50mm 1:1,8 lens, made in Japan (according to what’s engraved onto its front). I paid 36€ for the lens, and I forgot what I paid for the OM-µ43rds adapter later. Here are two photos I took with that combination today, the first one at the lenses “sweet spot” which means f/5.6, the other one is a hand-held quarter second portrait of the cat with the lens fully open at f/1.8:

7de_4093329-sunset

Sunset

7de_4093333-tuna

Tuna the cat, April 2014

And while I took the first one with ISO 200, the other one is ISO 5000. This 1/4 second is over four and a half stops slower than the recommended 1/100s (for a lens with an equivalent angle of view of a 100mm one on film), but for me that photo is still acceptably sharp. As an aging coffee junkie like me, you just gotta love that Olympus in-body stabilization.

Thanks for reading.

Qotd, and two links

The quote of the day, for me, comes from David Taylor-Hughes, about using a lens with a “normal” angle of view:

“I like the lack of choices and I like the fact that It’s me that creates the image not some fancy optic and that there’s no stretching or compressing of perspective. It’s down to me whether what’s in the rectangle works or doesn’t. It is, in fact, my favourite kind of photography.”

It’s from this blog post of his. And he’s right – my 25mm lens (50mm-equivalent on film) is also my favourite one.

One who has and uses the newer 25mm lens from Olympus instead of my Panasonic/Leica one is Andreas Manessinger. See for example this post, and browse others from there as well. Impressive, to say the least.

Other photographers: Trey Ratcliff

I’ve decided to show the work of others here as well. Sometimes that’s possible, sometimes I would have to ask their permission first. It’s possible if/when others have or use the same or a similar CC licensing for their photos as I do – in that case, you can, if not, ask them. Easy as that.

One who is very well known, maybe because he shares freely, maybe because he’s simply that good – is Trey Ratcliff. Presenting him here isn’t really necessary, as he has lots of followers and people who admire his work. He’s pretty good even with HDR, and wrote some tutorials about it, and he has lots and lots of cool landscape and/or cityscape work.

His blog is called “Stuck in Customs“, since he’s also traveling a lot. And from his latest post which he called “Facemasks of Toyko“, here’s the first one he showed. Taken with a Sony A7R camera and using a manually focused Leica 50mm/1.4 lens:

Shibuya Hair, by Trey Ratcliff

Well worth a visit, if you don’t do that anyway already.

Thanks for viewing.

A week with the 14mm lens

I want to further explore how to take wide angle photos, something I’m not really good at. So I mounted my 14mm lens onto the camera at the beginning of the week, and never took it off until now. I didn’t get any breathtaking or world changing photos until now, but at least I experimented a bit with it, like shooting straight into the sun, using high ISO settings, or trying to fill the frame with the 88 keys of Zuleikha’s piano. So here are some from the week which ends soon:

7de_4013241-celltower-silhouette

Celltower silhouette at noon. 3 stops under-exposed.

7de_4023251-perfumed-candles

Thirty perfumed candles, stacked up in perfect squares by Zuleikha. ISO 5000, no noise reduction.

7de_4033256-88

88. +1EV exposure compensation, lit by a 6W LED reading light turned away from it. Turned back half a stop in post.

7de_4043257-creek

The creek

7de_4043258-trees-numbers

The land where trees have numbers

Thanks for viewing.