Photography, videos, sound recording and so on

Haven’t written much here lately.

Since I’ve identified what I’m actually after with my photography earlier this year, I’m taking mostly family photos – not of any interest to the general public.

And since Mitchie (and also Zuleikha) is/are more into video, I’ve concentrated a bit more onto the audio aspect of that – having been in professional studios not only as a musician but also as a technician, I try to “give back” some of the gathered knowledge from these areas to my family, my colleagues, and so on.

For some colleagues, I’ve made a (company-internal) video already about how to get the OCDC (Open Client for the Debian Community) IBM layers on top of a more or less “naked” Ubuntu 16.04.2, and I’ll make some more about the tools – both hardware and free and open source software – that I use, and about how I use all that stuff. De-Essers, compressors, LUFS sound leveling, something like this. Plus some microphone techniques.

I also tried to help someone in this thread of the LinuxMusicians forum, for whom/which I uploaded some screenshots to Flickr lately:


Ubuntu Studio 16.04.2 LTS, running from a USB stick on my machine, with running QJackctl and the Hydrogen drum computer


Focusrite Control software, running on Windows 10

Other than that, I’ll cover some tools like Audacity, Ardour and the Calf Studio Gear plugins, Openshot and whatever I’m using. Since most of these tools are cross-platform, the colleagues might want to use them even on their Windows machines; let’s see.

These will be company-internal screencasts and/or videos, just for those people who want to / have to publish some public stuff on the companies’ official Youtube stream(s). Lots of stuff like that exists already, just look at the streams of people like Curtis Judd for instance. No need for me to add anything public here, since there are so many of these technical tips channels already.

Anyway; I’m quite busy most of the time, and just wanted to explain why you see fewer entries here, or on my Flickr stream.

Soon we’ll also visit some family members in Cologne; it’s about time for that as well. Plus both my brother, Mitchie, Zuleikha, and me want to see/visit the Music Store there – can’t wait for that…

Like always, thanks for reading.

Solo piano

Zuleikha had her first solo piano performance today at the Jugend- und Kulturzentrum (JuKuZ) Mörfelden:


Zuleikha in concert, February 2017

It wasn’t her first gig this year – there was an earlier one where she played the horn in the school’s “Brass & Co” Jazz band, but the first one for this year where she was alone on stage.

And it was a good one. Congratulations again, Schätzchen!

Thanks for reading & viewing.

Another project, and Tuna

Zuleikha has a new project in school. Starting tomorrow, they will produce a short movie, based on a story they have to develop themselves, script, costumes, filming, sound, everything. And the group in which Zuleikha is in decided that she’d be responsible for the technical part (besides of acting and so on).

First, Zuleikha wanted to take her small Panasonic Lumix “Travel Zoom” camera for this, as it’s quite good for videos. But she decided that it would be too noisy for indoor shots, and to take her (my old) Olympus E-PL1 instead:


Olympus E-PL1

But in the end, I thought that an E-PL5 would be even better, so I gave her mine for the job. That she can use the battery and memory card from her PL1 as backup is also an advantage. Her tripod is in her locker at school already – can’t wait to see with what they’ll come up.

At the moment, both Zuleikha and Mitchie are in Darmstadt, watching “Cabaret” in a theater. So I’m alone with Tuna, and I took a photo of her:


Tuna the cat, January 2017

That’s processed with the (also in-camera) “pin hole” filter, which adds a strong vignette, and also some funky colours which I reduced a bit again.

Thanks for viewing.

An awesome video production

In contrast to yesterday’s obituary, here’s another piece for guitar:

Silvius Leopold Weiss – ” Fantasie”, guitar Asya Selyutina

Like the title says, this is from Sylvius Leopold Weiss (see English and German Wikipedia pages), and the performing artist is Asya Selyutina.

Interesting how different an instrument can be. Anyway, here I liked everything, especially the camera and sound work. Awesome performance on this Baroque piece (which is some 300 years old) as well. And she plays a guitar hand-made by Peter Barton.

Oh, and in case you play the guitar yourselves, find the score with tabs, and midi as well as Guitar Pro files here. And yesterday’s Tango is here. Thanks go to Christian Liang for these.

Thanks for viewing and reading.

Portraiture, naturally

Happy new year again, everyone.

I’ve been thinking about my (and others’) photography lately, and watched lots of videos, and read lots of other photographers’ blogs. I also looked at my own photos, and identified some favourite ones. Almost all of them are photos of family members (including “our” cat). And that reminded me of my original reasons to get better cameras since late 2009.

It’s this personal photography which is most important to me. Keeping memories about family, friends, colleagues, strangers, simply people I’ve met or with whom I live. Thinking about 2017, I’d say that I have everything I need gear-wise. Ok; I could use some more lights (and/or modifiers for them), or maybe some more lenses. But mostly I have what I need – a very nice and capable little camera with prime (single focal length) lenses, and a telephoto zoom should I need some more reach and/or the perspective you have with these.

So I started the new year with what I like the most: take some portraits, naturally. Like this one:


Zuleikha, January 2017

A propos the title of this short article, “Portraiture, naturally” – got that one from a video of British photographer David Thorpe on Youtube. David is a very interesting photographer, and both his Youtube channel as well as his blog are very worthy of having a look and read. Like us, he has discovered the Micro Four Thirds system as pretty much ideal for his needs, and this after a life-long career as a photojournalist. I’m always glad when I discover people like him, and some of his writings are just so funny – take for instance his description of a “gentleman” from his article about “The Gentleman’s Lens“:

“The gentleman has always held an emblematic status in England. A gentleman is good at what he does but not superb. That would involve too much effort, which is ungentlemanly. A gentleman is superior but without effort. Effort would imply that he is concerned about what others think. That would be pandering and decidedly ungentlemanly. The essence of a gentleman is summed up by the old English aristocracy’s mode of dress. For example, an expensive, but not too expensive jacket which has been allowed to become a bit ratty, with leather patches on the elbows and frayed – but not too frayed – lapels. The message of the jacket is that the wearer has enough money but not too much (vulgar!), though almost certainly more than you because he allows a good quality jacket to become scruffy whereas you, not being a gentleman, would probably have had it repaired or – horror! – bought a new one. The message is that so superior are you that you do not even deign to compete.”

Time- and priceless, just as his discovery why gorgeous women in glamorous bars never give him a second look (that’s in another of his articles, but I’ll leave that discovery for yourself). The man surely can make you laugh. And he has world-class photos.

Ok, enough for now. As always, thanks for reading.

Happy new year!

We wish all of our readers a happy new year 2017. Since I’ve only made some crappy fireworks shots until now, here are some last ones from last year. Taken Thursday, Friday, and Saturday:


Arno, playing with Tux (the Linux penguin mascot)




Tuna, December 2016

That last one was taken with the “kit zoom” (of the E-PL5) on my E-M10 camera at 17mm. The camera was still set to an upper auto ISO limit of 3200 from Zuleikha’s birthday party in a dark bowling center, and because of the limited opening of that lens at 17mm (around f/4 or so), ISO 3200 was what my camera used here. This was a few hours before the end of 2016, and little did Tuna know about the upcoming fireworks, and that she’d be hiding under some beds again… those crazy humans!

Thanks for reading.

Cat cookie

It’s two days before Christmas. Wow, the year was short, at least in retrospective. Today Mitchie and Zuleikha, who’s on holiday already, made some cat cookies, so I took a picture:


Cat cookie

Taken with the Olympus E-PL5 camera and the 14-42mm zoom lens set to 17mm and f/4. I “muted” the colours with the Olympus Viewer 3 raw converter, and desaturated (-3/100 clicks) a bit further in RawTherapee.

Somehow I love the 17mm focal length, and because I don’t have this and that, I use the “kit zoom” when I want it. That 17mm Olympus lens is recommended together with the successor of my E-M10 camera for kid photos, here. And this whole trip to Europe was also taken with that single focal length, which shows how versatile that can be.

No affiliate links here, just a tip if you need a camera for family and travel photos.

And as always, thanks for reading/viewing.

If your camera…

Yesterday I took some photos of Mitchie who was sitting on our sofa, knitting. The only light was our small LED reading light with approximately 5 Watts or so – and since she was moving, I had to raise the sensor sensitivity (or amplification) to about ISO 6400, or even ISO 8000. With settings like these, I ended up with times like 1/10th to 1/15th of a second at an aperture around f/2.8.

Of course the results were not really optimal, so I started looking and comparing, like here. A Sony A7 Mk2 would be at least a stop better than my camera, a Nikon D750 easily two stops, and a Canon 5D Mk3 (an older model, but I wanted to stay roughly in the same price range) would be somewhere in between.

But while dark things in low (or almost no) light are one thing, I remembered that my camera also had the advantage of having built-in sensor stabilization (which that Sony also has), so I started comparing the Nikon’s and Canon’s ISO 12800 with 6400 on the Sony, and with 3200 on mine – which equals out the field considerably.

But ok, two stops lower also means times x 4, which would be counter-productive, at least for moving subjects. So what to do?

Simple: more light, as Goethe is believed to have said. Tried and true:


Tuna the cat, December 2016

I took this photo of Tuna some minutes ago, while it is dark outside already. So I used my compact flash at 1/4 power on my computer desk, reflected over the wall, and one of my studio strobes at around 1/10th of its maximum output reflected over the opposite wall (behind me in this photo, you see it reflected in her eyes).

The aperture here is f/2.5, but with the really bright flash light I could use the sync time of 1/160th of a second, at ISO 200. Much better than my efforts from yesterday.

So if your camera isn’t as good as others in low (or almost no) light – simply add some. Better, far easier, faster, and also cheaper than to become envious and to think about other and supposedly better cameras…

As always, thanks for reading.

Smokin’ Arno


Smokin’ Arno

Taken today on our employers’ roof garden using my old and manual OM Zuiko 50mm/1.8 lens fully open at f/1.8.

– raw development (from .orf to .tif) with Olympus Viewer 3 on Windows 10
– added Kodak Portra 160VC film simulation using Google Nik Color Efex Pro 4 on Windows 10 (free download here)
– added Exif title and some tags using RawTherapee 4.2.0 on Debian GNU/Linux 8.x “Jessie”
– developed from .tif to .jpg using RawTherapee 4.2.0 on Debian GNU/Linux 8.x “Jessie”
(- uploaded to Flickr to link to it from here)

Thanks for viewing.