Learning just another (filmmaking) program, while not forgetting about photography

Recently, Zuleikha had just another gig as a musician (playing piano), and we recorded it – Mitchie on video with her Olympus E-PL5 and the 45mm/1.8 lens (on her tripod of course), and me with my Røde NT-1A microphone, the Focusrite Scarlett 6i6 (2nd gen) interface, and the Lenovo Thinkpad P50 laptop/notebook which I’ve got from my employer.

Zuleikha’s piano teacher asked us to make a DVD from all the attendees’ performances, so we recorded everyone instead of just our own daughter. And since then (that was Sunday evening), I’m trying to learn just another video-editing program.

Why? Well because Ardour is more like Avid’s Pro Tools – a music studio inside of your computer, and OpenShot is a video editor which we’ve used previously, but which also gave me some headaches already – for bigger projects like a full-blown DVD, it’s not the most stable and full-featured one.

So at the moment I’m looking at the community version of Cinelerra, which seems to be great. There’s a very nice article on the German ubuntuusers wiki, with some additional nice links, like the one to Raffaella Traniello’s “Cinelerra for Grandma” – that answered most of my questions (and struggles) so far.

It’s still quite a lot to learn – these are not your basic editors, but full-blown and -featured professional programs like the commercial ones on other operating systems (and also a bit like Ardour vs. Pro Tools or Logic).

And with all that music- and video-related stuff, I’m still not forgetting about photography, even if I do that only for private and family “jobs” right now. So I’m still regularly reading the most interesting bloggers (and pros) like Kirk Tuck, or Michael Johnston’s “The Online Photographer” (and listening to Brooks Jensen’s “Lenswork Daily” podcasts).

I just answered one of Mike’s posts for instance, which was about his thought of a dual camera system (one his iphone, the other one maybe a Sony A7-2). My answer to that one, in case you don’t find it on his page, was:

“Love the idea, Mike.

I’ve got an Olympus OM-D E-M10 (first gen) which in cameras is in my opinion the equivalent to what our Corolla is in cars. It will do the job, and get you the picture. Not the best, but a quite acceptable one.

But the A7 Mk2 is the one that really interest me, even more so since I realized that both of our Olympus film bodies (OM-1 and OM-2) are having problems with their shutters, and ruin many potentially good (and expensive) film shots. So yes, a “digital back” for my OM Zuiko 50mm/1.4 would be great to have.

Or maybe an FM-2; could even be better. But that wouldn’t accept my Zuiko lens AFAIK.”

So beside my full-time professional job (still having to earn a living for us all), and beside my honorary work in the school’s parents’ association, I’m quite busy at the moment. Holding on to the next task, like: make a DVD for the parents of the other young and aspiring musicians – and for their teacher of course.

But being busy, and being together with the young ones keeps you young as well – or so they say 😉

Thanks for reading.

Please vote for the Nik collection to be open sourced!

Through an article on Imaging Resource I’ve learnt that Google will no longer maintain or “to update the Collection or add new features over time” of their Nik collection – which is a bit sad because they’re still awesome, and loved by many photographers either as plugins for programs like Photoshop, or stand-alone.

I don’t have Photoshop and/or Lightroom- and don’t plan to buy it – but still I have the Nik collection for some special effects on a Windows partition on my hard drive, so through their help center and forum I found this post from Paul Breslin, who volunteered to maintain it further after his retirement, and for which I “voted” already. And I suggest that you’d do the same; open-sourcing it would be the ‘proper’ way of dropping official support for a product.

And Google may even do it – they’re in some way still the “good guys”, with their initiatives like “Summer of Code” and so on and so forth. So if you also like or (occasionally) use the fine Nik collection, I’d advise that you do the same. If you haven’t heard of the Nik collection but have a Mac or PC with Windows operating systems, I’d suggest to try it out – it’s one of the best “free” (as in “no cost”) software packages there is.

My main interest in this? Well I’m still using real free and open source software on my Debian Linux machine, but who knows, maybe one day the Nik collection could be real free as well – it’s all a question of licensing. And there could even be a port for Linux, which would make that even greater as an artist’s platform as it already is (doing music and recording with it as well). It’s just a vote away, so what is stopping you?

Thanks for reading and/or considering.

P.S.: see also my comments here and here.

At the Chocolate Museum in Cologne

We’re just back from visiting some relatives in Cologne. Haven’t done this since a while, so it was about time. And while being there anyway, Mitchie and Zuleikha wanted to see the Stollwerck Chocolate Museum, which now belongs to Lindt. I took Zuleikha’s portrait in front of a rebuilt classic store:

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Zuleikha at Stollwerck (now Lindt) Chocolate Museum, Cologne, April 2017

As always, thanks for viewing.

Some first impressions

Yesterday we were at the biggest local music store for a while. Zuleikha played some electric and acoustic pianos and bought some scores. And I took some hands-on first impressions of some instruments. What I found nice was:

Yamaha CG192S

Yamaha CG192S Classical Guitar

Ibanez SRH500F Fretless Bass

Ibanez SRH500F Fretless Bass

This one is awesome. Listen to it here, in 4- and 5-string versions:

In the studio department, we saw both my microphone and also my interface for it – but there, the most impressive experience for me was to listen to some active nearfield monitors:

Yamaha HS8 Powered Studio Monitors

Yamaha HS8 Powered Studio Monitor

Interesting – all Japanese products. Oh, and the Kawai and Yamaha acoustic (upright) pianos were also very nice.

As always, thanks for reading.

A photo a day…

Last month was the first one since late 2009 in that there were more days of the month than photos taken by me.

Part of that had to do with making two videos until now, both for the company. The first one, around 18 minutes, showed other Linux lovers how to get the officially needed company layers installed on top of a plain distribution. The second, around 45 minutes, was a howto on getting better audio for the video guys who make ‘official’ company videos for one of its Youtube channels.

Another reason why I didn’t take that many photos is that since I have the new USB audio interface and a studio quality microphone, I also dealt with recording a lot. Midi, audio, plugins, samples, soundfonts, all that.

Now it’s April already, and we have a little more sun – at least the days are getting somewhat longer, so I can make use of the light. And when the cat was outside, sitting on my shoes on the veranda, I just had to take a picture:

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Tuna the cat, April 2017

Let’s see – maybe I can at least take one picture a day, and hopefully more. And still deal with and learn about how to make and record music with a computer. When I have something worth listening to, I’ll let you know.

As always, thanks for reading.

Photography, videos, sound recording and so on

Haven’t written much here lately.

Since I’ve identified what I’m actually after with my photography earlier this year, I’m taking mostly family photos – not of any interest to the general public.

And since Mitchie (and also Zuleikha) is/are more into video, I’ve concentrated a bit more onto the audio aspect of that – having been in professional studios not only as a musician but also as a technician, I try to “give back” some of the gathered knowledge from these areas to my family, my colleagues, and so on.

For some colleagues, I’ve made a (company-internal) video already about how to get the OCDC (Open Client for the Debian Community) IBM layers on top of a more or less “naked” Ubuntu 16.04.2, and I’ll make some more about the tools – both hardware and free and open source software – that I use, and about how I use all that stuff. De-Essers, compressors, LUFS sound leveling, something like this. Plus some microphone techniques.

I also tried to help someone in this thread of the LinuxMusicians forum, for whom/which I uploaded some screenshots to Flickr lately:

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Ubuntu Studio 16.04.2 LTS, running from a USB stick on my machine, with running QJackctl and the Hydrogen drum computer

FocusriteControl

Focusrite Control software, running on Windows 10

Other than that, I’ll cover some tools like Audacity, Ardour and the Calf Studio Gear plugins, Openshot and whatever I’m using. Since most of these tools are cross-platform, the colleagues might want to use them even on their Windows machines; let’s see.

These will be company-internal screencasts and/or videos, just for those people who want to / have to publish some public stuff on the companies’ official Youtube stream(s). Lots of stuff like that exists already, just look at the streams of people like Curtis Judd for instance. No need for me to add anything public here, since there are so many of these technical tips channels already.

Anyway; I’m quite busy most of the time, and just wanted to explain why you see fewer entries here, or on my Flickr stream.

Soon we’ll also visit some family members in Cologne; it’s about time for that as well. Plus both my brother, Mitchie, Zuleikha, and me want to see/visit the Music Store there – can’t wait for that…

Like always, thanks for reading.

Solo piano

Zuleikha had her first solo piano performance today at the Jugend- und Kulturzentrum (JuKuZ) Mörfelden:

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Zuleikha in concert, February 2017

It wasn’t her first gig this year – there was an earlier one where she played the horn in the school’s “Brass & Co” Jazz band, but the first one for this year where she was alone on stage.

And it was a good one. Congratulations again, Schätzchen!

Thanks for reading & viewing.

Another project, and Tuna

Zuleikha has a new project in school. Starting tomorrow, they will produce a short movie, based on a story they have to develop themselves, script, costumes, filming, sound, everything. And the group in which Zuleikha is in decided that she’d be responsible for the technical part (besides of acting and so on).

First, Zuleikha wanted to take her small Panasonic Lumix “Travel Zoom” camera for this, as it’s quite good for videos. But she decided that it would be too noisy for indoor shots, and to take her (my old) Olympus E-PL1 instead:

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Olympus E-PL1

But in the end, I thought that an E-PL5 would be even better, so I gave her mine for the job. That she can use the battery and memory card from her PL1 as backup is also an advantage. Her tripod is in her locker at school already – can’t wait to see with what they’ll come up.

At the moment, both Zuleikha and Mitchie are in Darmstadt, watching “Cabaret” in a theater. So I’m alone with Tuna, and I took a photo of her:

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Tuna the cat, January 2017

That’s processed with the (also in-camera) “pin hole” filter, which adds a strong vignette, and also some funky colours which I reduced a bit again.

Thanks for viewing.

An awesome video production

In contrast to yesterday’s obituary, here’s another piece for guitar:

Silvius Leopold Weiss – ” Fantasie”, guitar Asya Selyutina

Like the title says, this is from Sylvius Leopold Weiss (see English and German Wikipedia pages), and the performing artist is Asya Selyutina.

Interesting how different an instrument can be. Anyway, here I liked everything, especially the camera and sound work. Awesome performance on this Baroque piece (which is some 300 years old) as well. And she plays a guitar hand-made by Peter Barton.

Oh, and in case you play the guitar yourselves, find the score with tabs, and midi as well as Guitar Pro files here. And yesterday’s Tango is here. Thanks go to Christian Liang for these.

Thanks for viewing and reading.